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Johannes Umbreit's piano reduction of the orchestral score was published by Henle. Every amateur should know the wonderful peace of the largo ma non tanto in F major. It can be played at home, as its orchestral part can be easily transcribed for the piano. The concerto for two violins, in D minor, is perhaps more widely known still. Īfter commenting that the "A minor and E major concertos are beginning to win a place in our concert halls," Albert Schweitzer writes, in the 1911 English-language edition of his book on Bach: In London, Bach's Double became a repertoire piece, for instance regularly performed at the Proms. Outside of Europe, there was for instance the performance by Eugène Ysaÿe and Fritz Kreisler in New York in 1905. The Neue Bachgesellschaft reports around 25 known public performances of the concerto in the period from late 1904 to early 1907: most of these in Germany, but also performances in other European cities, including London, Madrid, Paris, Riga, St. The Bach Gesellschaft published the concerto in 1874, edited by Wilhelm Rust. Jelly d'Arányi often played Bach's Double Concerto at the London Proms. After describing Bach's other extant violin concertos, those in E major (BWV 1042) and A minor (BWV 1041), he adds: In the first volume of his Bach biography (1873), Philipp Spitta describes the concerto as a product of the composer's Köthen period (1717–1723). The concerto was first published in 1852, by Edition Peters, edited by Siegfried Dehn. Manuscript copies of (parts of) the concerto were produced around 1730–1740, in 1760, around 1760, around 1760–1789, and in the early 19th century. After the Second World War they were lost for several decades, eventually resurfacing in Poland. The extant original parts were later owned by Georg Poelchau, and were added to the Royal Library at Berlin (later converted to the Berlin State Library) in the 1840s. After his father's death in 1750, Carl Philipp Emanuel inherited some of the original performance parts, likely doubles, of the concerto (surviving: parts for soloists and continuo), and likely also the composer's autograph score (lost). ġ734–1738 Carl Philipp Emanuel Bach performed the concerto in Frankfurt an der Oder. Īround 1736–1737 Bach arranged the concerto for two harpsichords, transposed into C minor, BWV 1062. Herman Krebbers, Willem van Otterloo and Theo Olof before the Concertgebouw Orchestra (1958): in 1952 they had recorded Bach's Double Concerto.